
The Aatmanirbhar Bharat Centre for Design has been conceived to celebrate the richly diverse handicrafts of India with a particular focus on those that have received the Geographical Indication (GI) certification. Aatmanirbhar Bharat, 'self-reliant' India, is a policy of the Government of India to develop Indian culture to make it a significant and important part of the Indian economy.
The two key focus areas of the Aatmanirbhar Bharat policy include the aspects of 'Vocal for Local' and 'Make in India'. It is beyond doubt that the handicrafts and handloom of India are the sectors that exemplify these directives in the most complete manner possible. This sector has been the mainstay of our rural economy, generating employment all across the country in significantly large numbers. It has also developed strong regional specificities as evidenced by the many GI certifications which have been awarded so far.
Read more about project Aatman
L1 Barrack, Red Fort, Delhi
Floor plan
20,000 square feet approx
with a total of 100 rooms at two levels.
Ply-split braiding is an ancient art practiced for making elaborate camel girths in north-western India. The ṭāng is a belt tied to one side of the wooden saddle on the camel,
Room No. 45-46
Bhavānī Jamakkāḷam is a fine cotton carpet/spread with multi-coloured crossbar effect on both sides woven in pit looms in and around Bhavānī area of Tamil Nadu.
Room No. 47-48
Locally known as kaṇḍāli, or bichū ghās, the Himalayan Nettle is a self-sustaining plant that grows in a wild and cold climate.
Room No. 39-40
Leather Puppetry from Andhra Pradesh, known as ‘Tōlu (leather) bom'malāṭa (dance of the puppets)’, in Telugu, is one of the oldest theatre traditions of the region involving shadow dance of puppets. It received the GI tag in 2008.
Room No. 9, 11 & 12
Ply-split braiding is an ancient art practiced for making elaborate camel girths in north-western India. The ṭāng is a belt tied to one side of the wooden saddle on the camel,
Room No. 45-46
Bhavānī Jamakkāḷam is a fine cotton carpet/spread with multi-coloured crossbar effect on both sides woven in pit looms in and around Bhavānī area of Tamil Nadu.
Room No. 47-48
Locally known as kaṇḍāli, or bichū ghās, the Himalayan Nettle is a self-sustaining plant that grows in a wild and cold climate.
Room No. 39-40
Leather Puppetry from Andhra Pradesh, known as ‘Tōlu (leather) bom'malāṭa (dance of the puppets)’, in Telugu, is one of the oldest theatre traditions of the region involving shadow dance of puppets. It received the GI tag in 2008.
Room No. 9, 11 & 12
Ply-split braiding is an ancient art practiced for making elaborate camel girths in north-western India. The ṭāng is a belt tied to one side of the wooden saddle on the camel,
Room No. 45-46
Ek Bharat Shrestha Bharat is a unique programme that aims to promote mutual understanding between different states and union territories through the concept of a special pairing between the two.
Read moreRoom No: 19 - 26
Renowned Indian artists draw inspiration from traditional crafts to create art installations that explore contemporary interpretations of Indian craft practices, while also reflecting on their own artistic journeys.
Public Sector
State Bank Of India
Public Sector
National Institute of Design, Ahmedabad
Public Sector
Kalakshetra Foundation, Chennai
In this section, you will experience a myriad of traditional crafts, displayed as exemplars of the remarkable craftsmanship and diversity in the Indian handicrafts sector. Each craft form carries a rich regional legacy and has a unique story to tell. Ranging from historic pieces to contemporary adaptations, these craft stories embody the versatility and evolution of Indian craft-making.
Papier-Mâché (Kashmir Loom)
Araṅmulā Kannaḍī
Molelā Plaques
Eṭikopakkā
L1 Barrack, Red Fort, Delhi - 110006
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